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Is Atlee a copycat or postmodernist? Also, does it matter?

Atlee’s reputation has now transcended the boundaries of south India. He’s now common in different elements of the nation too, because of his upcoming film with Bollywood famous person Shah Rukh Khan. The director, who’s celebrating his 35th birthday, was born Arun Kumar. And he started his profession in motion pictures by aiding filmmaker Shankar in 2010 with Enthiran. And he was additionally a part of the crew for Shankar’s Nanban (2012), which was the remake of three Idiots.

It was throughout the making of Nanban that Atlee turned acquainted with Tamil famous person Vijay, who would later play a serious position in cementing Atlee’s place as probably the most bankable industrial filmmakers of Tamil cinema. Atlee made his directorial debut in 2014 with Raja Rani, starring Arya and Nayanthara within the lead roles. The movie went on to grow to be a success on the field workplace, producing the correct amount of clout for the brand new child on the block. At the very least, it was sufficient to get him a gathering with Vijay.

Atlee signed Vijay for the primary time for Theri (2016), following it with two consecutive motion pictures with the Grasp actor. Whereas Theri shocked critics by rising a field workplace hit, Mersal (2017) was an excellent larger hit and Bigil (2019) out-earned the opposite two movies. However, it has not all the time been sunshine and rainbows in Atlee’s journey.

Atlee has typically been criticised for plagiarising scenes and concepts from numerous motion pictures. No, it’s not a Quentin Tarantino, post-modernist factor. The place you deal with outdated motion pictures as a pop-cultural artefact, take inspiration from them, and make them your personal by loads of authentic worth additions. Atlee on a number of events has been accused of simply straight-up plagiarism.

Vijay in Mersal.

YouTube is plagued by movies that present the unique supply of some scenes in Atlee’s motion pictures. For instance, within the airport scene in Mersal, after we see Dr Maaran for the primary time. He has been pulled apart by the airport authorities for checking that smacks of racism. Locked up in a room, Maaran notices from the window {that a} girl on the airport is choking on her drinks, and is unable to breathe. The hitherto mild-mannered Maaran then overpowers safety officers to assist the damsel in misery. And he performs an emergency medical process utilizing objects that he might discover on the crowded airport to save lots of the lady’s life. And there’s the very same scene within the South Korean medical drama Good Physician.

The allegations of copying scenes from different motion pictures didn’t simply start with Mersal. Atlee has been underneath scrutiny since his debut movie Raja Rani. Many believed that the marital discord between the husband and spouse in an organized marriage setting was a riff on director Mani Ratnam’s Mouna Ragam.

In Atlee’s defence, Raja Rani was slightly his most authentic of all 4 movies he has carried out to date. No person claimed the plot of Sillunu Oru Kaadhal was additionally primarily based on Mouna Ragam. Though the 2006 Suirya-starrer was in regards to the relationship drama between a pair, whose marriage was organized by their households. As I identified earlier, Atlee had a narrative to inform in Raja Rani, and he did it in an interesting method.

Atlee shouldn’t be the primary filmmaker to take an thought from different movies and move it on his personal. Such “inspired-works” of some filmmakers have gone unnoticed previously. Take Baahubali, for instance. In an essay, I had mentioned intimately how SS Rajamouli’s all-time blockbuster Baahubali: The Starting had deep imprints of Kamal Haasan’s traditional Thevar Magan.

So Atlee shouldn’t be the primary, and he positively gained’t be the final to take concepts from different motion pictures. “There are solely seven major ragas. Even after 1000 years, the affect of AR Rahman, Raja sir (Ilaiyaraaja) and MSV sir (M. S. Viswanathan) will likely be felt within the new compositions,” Atlee had mentioned earlier.

Atlee’s Theri was mentioned to be a riff on Chatriyan (written and produced by Mani Ratnam). And the plot of Mersal was believed to be taken from Aboorva Sagotharargal, whereas Bigil owes huge time to Chak De! India. And all of the criticism of plagiarism hasn’t deterred Atlee from making motion pictures that he believes in. As a result of his movies work on the field workplace. He makes motion pictures for the market and never as a private expression of artwork. “How huge of a success will the movie grow to be? How a lot was it appreciated by individuals? How a lot cash did the producers make? What sort of movie ought to I do subsequent? These are the 4 major issues for me,” Atlee had mentioned, explaining his filmmaking course of.

Atlee’s method to motion pictures as a pure enterprise could earn him some derisive laughs from severe filmmakers and critics. However, it’s unlikely to trouble him so long as his producers are laughing all the way in which to the financial institution.

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